Sanna Gateja (born 1950) had a background that exposed him to art at an early age. Potters, blacksmiths, and weavers of baskets were in his village and he crossed paths with them quite often. This experience contributed to his choice of career as an artist, but with an indigenous aura. Since then, with no background in formal art training, Sanaa creates art that speaks of the indigenous art practices like weaving and stitching. His work is textured as a metaphor for the different personal and societal experiences; present and past.
A social commentator, Sanaa works with bark cloth, paper, raffia, beads, wood, and banana fiber to construct large artworks that respond to the subject of nature and materiality which is central in his work. His work straddles the categories of installation, tapestry, installation, and sculpture, and definitively is arresting in its monumentality, array of color and subject matter. The artist is particularly drawn to aesthetic and value in his work: creating a balance between what is visually attractive and original.
Sanaa’s art fits appropriately within the global consciousness of contemporary times that highly regards the environment and its preservation. This is because of his work ethic that involves working with organic and synthetic material. The paper bead, which he’s mostly known for, and introduced in Uganda in 1990, not only responds to the subject of recycling but offers sustainable incomes to thousands of local women across the country.
With words of a wise man, he says: “Life is a journey with a purpose. The message I bring is visually African. The themes I present are universally human…”
Sanaa has showcased at FNB Johannesburg Art Fair (2016, 2017, 2018), AKAA Art Fair, Paris (2016, 2017, 2018), Art X Lagos (2018), 1-54 Contemporary African Art Fair, London (2019), and CONTEXT art miami (2019).